While historical in setting, the novel uses postmodern techniques to discuss art and philosophy.

The plot is driven by the murder of two artists, Elegant Effendi and Enishte Effendi, and the search for the killer, who is ultimately revealed to be one of the artists, Olive (Zeytin).

The novel frequently references how color, specifically red, is understood and experienced, often merging the philosophical with the visual. Heresies of the Paintbrush - The New York Times

The book offers a detailed, insightful look into the meticulous, often secretive world of Ottoman miniaturists, where artists aimed for perfection rather than individual expression.