The art of dressmaking often feels like a conversation between the fabric and the form, but for Clara, that conversation had become a series of frustrating arguments. Her latest project—a vintage-inspired Dior-style jacket—was a masterpiece on the hanger, but on her own body, the shoulders pulled, the bust gaped, and the waist sat an inch too high. Clara was an expert at following commercial patterns, but she was realizing that her body did not fit the industry standard.
Clara pulled her favorite, most perfectly fitting denim jacket from her closet. It was an old, beat-up piece from a thrift store that hugged her shoulders perfectly and nipped in exactly where it should. She couldn't find a pattern like it anywhere. Patternmaking for a Perfect Fit: Using the Rub-...
She started by prepping the jacket. She buttoned it up and laid it completely flat. She realized her first lesson: a 3D garment does not want to lie flat on a 2D surface. To combat this, Clara stuffed a small towel into the sleeve to maintain its shape while she worked on the bodice. 📍 The Pinning and Rubbing The art of dressmaking often feels like a
Clara laid a large sheet of pattern paper over her corkboard, and then laid the front panel of the jacket over the paper. Smoothing the fabric carefully to ensure the grainline was perfectly straight, she began the "rubbing" process. Clara pulled her favorite, most perfectly fitting denim
She stood before her full-length mirror and slipped the muslin over her shoulders. She held her breath and looked.
The next step was "truing" the pattern. Clara took her French curve and straight rulers to connect the dotted lines left by the tracing wheel, smoothing out the wobbles.
