The video is an "embodied disruption" that challenges the Western-centric narrative of art history. Key artistic references include:
The track features production from and includes ad-libs from Quavo of Migos. THE CARTERS - APESHIT
: Beyoncé and her dancers perform in front of Jacques-Louis David's massive painting, using the synchrony of Black bodies to "upstage" symbols of white monarchy. The video is an "embodied disruption" that challenges
: Rolling Stone named it the best video of 2018, later ranking it as one of the greatest music videos of all time. Pitchfork described it as an "audacious declaration of unity" and a celebration of Black love. : Rolling Stone named it the best video
: The video won Best Cinematography and Best Art Direction at the 2018 MTV Video Music Awards and was nominated for a Grammy. Fashion and Visuals
: Beyond the art, the song contains sharp commentary on contemporary issues, such as JAY-Z's lyrics about turning down the Super Bowl halftime show and criticism of the Recording Academy.