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: Glitches in red and blue signify the conflict between Lu Guang and the "red-eyed" antagonists, further hinting at the timeline alterations that happen when things go wrong.

: In one scene, Lu Guang is shown in a church with "ghost money" (joss paper), used in Chinese tradition to mourn the deceased. This suggests that he is already mourning someone, or is working to prevent a future death. link_click_op_openinguhd_60fps

The first opening sets up the core mechanic of the show—the "dive"—but hints at a deeper, more tragic narrative. : Glitches in red and blue signify the

: Many fans believe "Vortex" confirms that Lu Guang is in a time loop. The lyrics—"Dive back in time... back to the beginning"—coupled with his weary expressions, suggest he has lived through these events multiple times to find a path where Cheng Xiaoshi survives. Bridon Arc (Season 3) / "The Tides" Visuals The first opening sets up the core mechanic

: The visuals often show Cheng Xiaoshi looking directly at the camera while Lu Guang faces away, symbolizing their differing perspectives: Cheng is the active "player" inside the photo, while Lu Guang is the "eyes" watching from the outside.

: A recurring metaphor depicts an inventor (Lu Guang) trying to reunite with a deceased girl (Cheng Xiaoshi) by building a flying machine. This mirrors Lu Guang's desperate attempts to use his powers to "reach" a version of Cheng that doesn't die.

This opening is famous for its "reversed" gimmick, where the second half of the sequence (and the song itself) plays backward to reflect the theme of reversing time.